Showing posts with label genius. Show all posts
Showing posts with label genius. Show all posts

Wednesday, June 29, 2011

The Greatest Books I'll Never Read Again

Some novels are crafted so wonderfully that I want to read them more than once. Plainsong by Kent Haruf is one of these - the style is spare and lyrical at the same time. Plus, the way Haruf creates a strange little family from such an ill-assorted crew of characters is breath-taking. Jane Eyre is another, simply because I love Jane so much. Born plain and penniless, she is still one of the strongest women in fiction. 


There are some books, however, that are incredible and wonderful and yet I will never reread them. These are the top three of that list:


1.The Road, by Cormac McCarthy - When I started reading this book, everything else disappeared. I got sucked into the story of the man and the boy traveling across the face of a strange, post Apocalyptic America with only a shopping cart, and I had to find out what happened to them. Of course, what does occur is dreadful - McCarthy offers no comfort in his work, as anyone who read No Country for Old Men knows. As the boy keeps saying, there are some things you can't unsee.






2. A Thousand Splendid Suns by Khaled Hosseini - I finished this novel at three in the morning because I just couldn't stop reading. Even though it was so late, I had to go and see my daughter and give her sleeping face a big kiss after reading Suns. I wouldn't call this a classic; it's not in the same category as The Road or Plainsong, but it's very good fiction nonetheless. Hosseini is famous for The Kite Runner - also addictive reading - but I much preferred this book. The dream scene where Laila buries her daughter alive is vivid and shocking. It's why I had to go and kiss that face.






3. My friend just lent me The God of Small Things, and I read it in a few days. After I finished it, I was in despair - hack writer that I am, I will never, ever, be able to write like that. Arundhati Roy reinvents the way a story can be told, turning it inside out like a Moebius strip, with beautifully reoccurring images (the time "ten to two" comes to mind) and an ending that breathes horror and beauty in one word. And it is dreadful, too - what the Orangedrink Lemondrink man does to little Estha is terrible - and then it gets far, far worse. 




It takes courage, I think, to write books as terrible and wonderful as these - it's much easier to write simple, fun little stories like mine. My books might be pulp fiction (and I'm okay with that) but I can still appreciate works of pure artistry and genius, unsettling as they are.