Alison
DeLuca, purveyor of Fresh Pot
of Tea, and Kara Stewart, part-time post pusher at Kara
Stewart Art in Photography, have
collaborated on a new five part traveling blog series!
This series will take a
look at writing about Native Americans and giving resources to accurately and
respectfully do so.
Alison
DeLuca is the author of several YA steampunk books. She is committed to adding
characters with different ethnic backgrounds to her works, and is always
looking for authentic, realistic ways to do so.
Kara
Stewart is Native (an enrolled member of the Sappony) and white, and is a full-time
Literacy Coach in the public schools, as well as serves in several Indian
organizations, with a passion for art, writing and Indian education. Her disclaimer for
this series, “The views I express in this series are my personal views, brought
about my own experiences and many years in literacy and education. I do not
claim to represent the views of all Indians, but I do hope writers will find
helpful resources and perspectives.”
Indian 101 for Writers. Part One: Know Thyself
Alison DeLuca: As a Native and an artist, what
parts of your background influence your work?
Red Arrow Medallion |
Kara
Stewart: When I moved to North Carolina in 1998 and got more involved with my
tribe, the Sappony, I began to be more aware of Indian issues such as
health care, housing, tribal recognition, government and education and to learn
more about my own tribe. I did this through my own research and talking with my
tribe’s researchers and members. I also began to educate myself about my own
racial identity and experiences, and how those have impacted my life. After
all, we all have a racial identity
that affects us, even those who haven’t thought of (or have had the luxury of not having to think of) themselves in
relation to a specific racial background.
My education about Indian issues that impact many
tribes across the nation, learning the history and current issues of my tribe,
and my ever-growing awareness of my own racial identity continually shape my
work by helping me express myself in a way that I hope is celebratory of the
strengths of Indians and seeks to educate non-Indians, and is also culturally
sensitive while avoiding stereotypes and offenses perpetuated by mainstream
media and culture.
I think it is impossible to write to or about
Indians in a culturally sensitive manner unless you have really put in the work
and thought about race in America – and your place in that. The first
step must be educating yourself about
race in America, and then realizing that Natives are a current, thriving, contemporary race in this country made up
of real people, not just the stereotypes and past that the media present.
Some good
starting places are:
28
Article – Faaabulous quick guide
I Don’t
See Race – Myth #2 made me want to stand up and cheer. Deny
my racial identity and you deny my experiences.
Excellent article on The
Pitfalls of the Colorblind Mindset
Another excellent article on Racial
Color Blindness with a starting point at the end.
Even
better racial identity model from CCODE Diversity Training that
expands on Helm’s model by including people of color – scroll down to where it
says “Unlike Helm’s model…”
The best
book on race I have ever read (starts slow but hang in there), Beverly Daniel Tatum’s
Why Are
All the Black Kids Sitting Together in the Cafeteria?
I’d recommend that every
writer write her own racial autobiography or the story of her racial background
and history. To write it, recall your earliest racial memories
and events and record them. What was your first personal experience in dealing
with race or racism, or being aware of race? Describe what happened. Was it
something that happened at school? Within your family? Was it something someone
said? If so, what? What was your reaction? What did you think, feel? Write
these events, identifying some of the landmarks on your racial journey, and
working your way up to describing your most recent events and conversations
about race, race relations and/or racism that may have impacted your current
perspectives of yourself and others and/or your experiences and your awareness
of others’ experiences. This is a fluid document that you can reflect on and update
many times as your racial consciousness evolves. Tim Wise’s White
Like Me is one of the best racial autobiographies I’ve read, although there are
many.
Some
links for thinking about your racial autobiography:
Pacific Educational Group, who implements Beyond Diversity training nationally has a specific guide for creating racial autobiographies here.
Author Robert Wallace wrote an eloquent racial autobiography focused on one incident that impacted his racial identity in a recent Durham News article.
Here is an amazing prezi-style racial autobiography centered around one main event and her resulting thoughts written by a
student teacher (start with the block at the stems; the prezi is interactive
and moves with your control.)
It took
me a long time to write my own racial autobiography. But I am so glad I did. It
was not only cathartic, but it gave me insight into my passions, my ‘hot
buttons’, family dynamics, and a kind of chart to my inner soul. It helped me
see with greater clarity how pieces of my history and my thoughts fit together,
and helped me to give an openness to others’ racial histories and thus their
thoughts, words and actions.
While our
American history of over 300 years of slavery and subjugation of many groups
has left the racial aftermath we deal with now, it’s important for writers to
know that once you begin to unpack and demystify race and process your own
racial history, you will find that you are able to write with a greater
understanding of yourself, as well as greater consideration and accurate
representation for many viewpoints and cultures. And that is ultimately the
goal: to give equal consideration and accurate representation to all.
5 comments:
Great post. It made me think of a recent book (shall go unnamed) I read where the protagonist was an urban black guy and the author is a white hipster Berkeley guy. I kept looking from dialogue to the backflap and I could NEVER get myself to believe the character! Finally had to just put the book down.
As sensitive as race is, it's really difficult to get ethnic characters right. However, I think it's worth the research and struggle involved to have a lovely mixed bag of personae, all representing different points of view as well as the shared human experience. Excellent point, Joanna!
It's good that you're doing a lot of research on this fascinating but sensitive theme. Hey, if anyone can pull it off, it'll be you!
Great resources to support writers, educators, and others interested in trying to do this "right".
Love that this is being a topic for discussion. My writing focuses on many of these issues and hope this blog will help strengthen my work
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