Today's blog comes to us via David Brown, the author of A World Apart and Fezariu's Epiphany. I begged him for a post on world building, and he really came through for me. Thanks so much, David, for being a fun person to know and for writing such a fantastic post.
Don’t be misled by that title. I’d like to
think my creation of the world of Elenchera began as just a spontaneous thought
and all fell into place easily from there but it sadly wasn’t the case. Where
shall I begin?
I’d always been a fan of fantasy. In my
childhood films such as Labyrinth and
The Neverending Story were amongst my
personal favourites. I always did okay when it came to creative writing and
when I left secondary school my English teacher told me to stick with prose and
poetry as he believed I had talent. That was 1998. In 1999 I created the world
of Elenchera. I’m getting ahead of myself.
In late 1998 when I was studying at college
I discovered the RPG series Final Fantasy
on Playstation and in playing instalments VII and VIII I not only found
inspiration but also was led to Norse mythology and the Icelandic Sagas. All of
those influences morphed into an insistent catalyst and I suddenly grabbed a
large sheet of paper and drew the world of Elenchera. This was a poor drawing
in pencil, traced over in pen and then coloured in with crayons so very basic
stuff.
Having a map already answered many
questions for me about how the world history would develop. Settlements should
be near a source of water for instance. If the land is mostly desert you’d want
to live along the coast, right? The best advice I can think of with world
building is to ask yourself as many questions as you can about every land,
town, mountain range, ocean, river and forest etc. With a world map I could
establish which lands would potentially trade with each other or even worse go
to war in search of conquest and annexation. I know that might sound annoying
but readers are not fools and will spot glaring errors.
From the world map I produced a map for
each individual land and repeated this process for each age of history in
Elenchera, known as Shards, of which there are twenty-five. At present I have
500+ maps which is a daunting figure but I’m sorry to say that is true. I once
had a lot of time on my hands and the patience to go through all those maps
which I’m not sure I could face doing now.
Drawing maps is one thing but building that
history is quite another. I’ve always loved history and tended to get good
grades at school and my passion for the subject remains undiminished. To build
Elenchera I turned to Cassell’s World
History which chronicles all the important events in our history from the
earliest fossils to the 21st century. It proved to be an invaluable
resource for me.
As I went through the book I jotted down
all the events in history that interested me and adapted them into the
Elencheran timelines. I began with Elenchera as a large landmass and in the
First Shard devised a way for it to be broken up. From that devastation I
decided if the oceans froze it would facilitate migrations throughout the
world. Eventually the ice melts and with the rising water twenty-three lands are
left which develop independently of one another.
Having built that platform I spent ten years
effectively developing twenty-three stories as the separate lands are fully
settled and grow from small communities into thriving societies. There is
cross-referencing as the lands interact with each other and in the Twelfth
Shard things become very epic when lands in East Elenchera discover those in
the west, giving rise to an age of discovery, imperialism and colonisation. If
that sounds like Columbus discovering America in 1492 then it’s no coincidence!
Keeping track of twenty-three lands and how
they interact both internally and externally is far from straightforward. World
building is hard work but the reason I spent more than ten years doing it is
because I wanted a solid background for the Elencheran Chronicles novels. I did
try writing novels in the early stages of the history but they didn’t have
enough substance to give them any real credibility as fantasy novels in my
opinion. With the history in place I can ask questions of lands and towns and
have the answers at my disposal. It’s been a long journey getting there but
having that resource to hand when writing now has made it all worth it.
3 comments:
I've read many posts of my husband's exploits prior to meeting me and this evidences that he was out of control! Just kidding - I'm immensely proud of the world he created and the stories that are arising from it. His imagination, vision and dedication captutred my heart!
A big thank you to Alison for hosting me today and taking part in the Discover Fantasy Tour :)
Thank you Donna.
You do me too much honour :)
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